brandnewswastikas:

It is important to know that there is sometimes a difference between things that you like and things that are good.

(via boodo)

riseuplikeangels:

NEXT TIME YOU THINK SOMETHING SHOULD BE SIGNAL BOOSTED BECAUSE IT’S TALKING ABOUT WHAT NOT TO DO ON THE ROAD OR HOW TO SURVIVE A HEART ATTACK WHEN YOU’RE ALONE FOR THE LOVE OF GOD CHECK THIS WEBSITE

BECAUSE COUGH CPR CAN KILL YOU

THE BLOODS DO NOT HAVE AN INITIATION RITUAL THAT INVOLVES KILLING EVERYONE WHO FLASHES THEIR HEADLIGHTS

AND YOU’RE A GULLIBLE GRUBLOAF WHO SHOULD BECOME VERY FAMILIAR WITH SNOPES.COM VERY QUICKLY

(via aaroncuterthanapigtveit)

mrs-freebatchof221bbakerstreet:

perfectbenny:

Benedict Cumberbatch has mastered the art of making you laugh and sob miserably an indefinite amount of times in the span of one film.

NO

NO

NO THIRD STAR FEELS NO

(via benedictatorship)

I promise this is the same guy.

(via benedictatorship)

rouxfus:

mindtardis:

emmylof:

draftgiraffe:

How to cut glass

image

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Doing this…..

(via shercocklocked)

cutiegeek:

No

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But

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Why

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Do 

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We 

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Not 

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Talk 

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About 

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Series Of Unfortunate Events?

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(via ccosettefauchelevent)

The focus on eyes emphasises the overall desperation for secrets and trust that characterises both the FBI and the criminals. On close ups, having Jodie Foster look slightly off camera and all the other actors straight on, subtly highlights the fact that most of the film is from Clarice’s point of view and that others struggle to know her intimately. When she finally confides in Lecter and tells him about her childhood and the lambs, she looks straight into the camera for one of the first times [x]

(via bahorelle)

(via oldfilmsflicker)

hatred-and-love:

Letters from Zedelghem [4/?]

(via oldfilmsflicker)

(via benedictatorship)